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Tommy Orange is a recent graduate from the MFA program at the Institute of American Indian Arts. He is a 2014 MacDowell Fellow, and a 2016 Writing by Writers Fellow. He is an enrolled member of the Cheyenne and Arapaho Tribes of Oklahoma. He was born and raised in Oakland, California, and currently lives in Angels Camp, California.
For months in early 1980, scientists, journalists, sightseers, and nearby residents listened anxiously to rumblings in Mount St. Helens, part of the chain of western volcanoes fueled by the 700-mile-long Cascadia fault. Still, no one was prepared when an immense eruption took the top off of the mountain and laid waste to hundreds of square miles of verdant forests in southwestern Washington State. The eruption was one of the largest in human history, deposited ash in eleven U.S. states and five Canadian provinces, and caused more than one billion dollars in damage. It killed fifty-seven people, some as far as thirteen miles away from the volcano’s summit.
Shedding new light on the cataclysm, author Steve Olson interweaves the history and science behind this event with page-turning accounts of what happened to those who lived and those who died.
Powerful economic and historical forces influenced the fates of those around the volcano that sunny Sunday morning, including the construction of the nation’s railroads, the harvest of a continent’s vast forests, and the protection of America’s treasured public lands. The eruption of Mount St. Helens revealed how the past is constantly present in the lives of us all. At the same time, it transformed volcanic science, the study of environmental resilience, and, ultimately, our perceptions of what it will take to survive on an increasingly dangerous planet.
Rich with vivid personal stories of lumber tycoons, loggers, volcanologists, and conservationists, Eruption delivers a spellbinding narrative built from the testimonies of those closest to the disaster, and an epic tale of our fraught relationship with the natural world.
In 1941, at seventeen years old, Meridian begins her ornithology studies at the University of Chicago. She is soon drawn to Alden Whetstone, a brilliant, complicated physics professor who opens her eyes to the fundamentals and poetry of his field, the beauty of motion, space and time, the delicate balance of force and energy that allows a bird to fly.
Entranced and in love, Meridian defers her own career path and follows Alden west to Los Alamos, where he is engaged in a secret government project (later known to be the atomic bomb). In married life, though, she feels lost and left behind. She channels her academic ambitions into studying a particular family of crows, whose free life and companionship are the very things that seem beyond her reach. There in her canyons, years later at the dawn of the 1970s, with counterculture youth filling the streets and protests against the war rupturing college campuses across the country, Meridian meets Clay, a young geologist and veteran of the Vietnam War, and together they seek ways to mend what the world has broken.
Exquisitely capturing the claustrophobic eras of 1940s and 1950s America, The Atomic Weight of Love also examines the changing roles of women during the decades that followed. And in Meridian Wallace we find an unforgettable heroine whose metamorphosis shows how the women’s movement opened up the world for a whole generation.
London, 1939. The day war is declared, Mary North leaves finishing school unfinished, goes straight to the War Office, and signs up. Tom Shaw decides to ignore the war—until he learns his roommate Alistair Heath has unexpectedly enlisted. Then the conflict can no longer be avoided. Young, bright, and brave, Mary is certain she’d be a marvelous spy. When she is—bewilderingly—made a teacher, she finds herself defying prejudice to protect the children her country would rather forget. Tom, meanwhile, finds that he will do anything for Mary.
And when Mary and Alistair meet, it is love, as well as war, that will test them in ways they could not have imagined, entangling three lives in violence and passion, friendship and deception, inexorably shaping their hopes and dreams.
Set in London during the years of 1939–1942, when citizens had slim hope of survival, much less victory; and on the strategic island of Malta, which was daily devastated by the Axis barrage, Everyone Brave is Forgiven features little-known history and a perfect wartime love story inspired by the real-life love letters between Chris Cleave’s grandparents. This dazzling novel dares us to understand that, against the great theater of world events, it is the intimate losses, the small battles, the daily human triumphs that change us most.
A Tokyo college student’s discovery and eventual obsession with a stolen handgun awakens something dark inside him.
On a nighttime walk along a Tokyo riverbank, a young man named Nishikawa stumbles on a dead body, beside which lies a gun. From the moment Nishikawa decides to take the gun, the world around him blurs. Knowing he possesses the weapon brings an intoxicating sense of purpose to his dull university life. But soon Nishikawa’s personal entanglements become unexpectedly complicated: he finds himself romantically involved with two women while his biological father, whom he’s never met, lies dying in a hospital. Through it all, he can’t stop thinking about the gun—and the four bullets loaded in its chamber. As he spirals into obsession, his focus is consumed by one idea: that possessing the gun is no longer enough—he must fire it.
Forty years ago, Bakerton coal fueled the country. Then the mines closed, and the town wore away like a bar of soap. Now Bakerton has been granted a surprise third act: it sits squarely atop the Marcellus Shale, a massive deposit of natural gas.
To drill or not to drill? Prison guard Rich Devlin leases his mineral rights to finance his dream of farming. He doesn’t count on the truck traffic and nonstop noise, his brother’s skepticism or the paranoia of his wife, Shelby, who insists the water smells strange and is poisoning their frail daughter. Meanwhile his neighbors, organic dairy farmers Mack and Rena, hold out against the drilling—until a passionate environmental activist disrupts their lives.
Told through a cast of characters whose lives are increasingly bound by the opposing interests that underpin the national debate, Heat and Light depicts a community blessed and cursed by its natural resources. Soaring, ambitious, it zooms from drill rig to shareholders’ meeting to the Three Mile Island nuclear reactor to the ruined landscape of the “strippins,” haunting reminders of Pennsylvania’s past energy booms. This is a dispatch from a forgotten America—a work of searing clarity from one of the finest writers of her generation, a courageous and necessary book.
“I’m Thinking of Ending Things is one of the best debut novels I’ve ever read. Iain Reid has crafted a tight, ferocious little book, with a persistent tenor of suspense that tightens and mounts toward its visionary, harrowing final pages” (Scott Heim, award-winning author of Mysterious Skin and We Disappear).
I’m thinking of ending things. Once this thought arrives, it stays. It sticks. It lingers. It’s always there. Always.
Jake once said, “Sometimes a thought is closer to truth, to reality, than an action. You can say anything, you can do anything, but you can’t fake a thought.”
And here’s what I’m thinking: I don’t want to be here.
In this “dark and compelling…unputdownable” (Booklist, starred review) literary thriller, debut novelist Iain Reid explores the depths of the human psyche, questioning consciousness, free will, the value of relationships, fear, and the limitations of solitude. Reminiscent of Jose Saramago’s early work, Michel Faber’s cult classic Under the Skin, and Lionel Shriver’s We Need to Talk about Kevin, I’m Thinking of Ending Things is an edgy, haunting debut. Tense, gripping, and atmospheric, this novel “packs a big psychological punch with a twisty story line and an ending that will leave readers breathless” (Library Journal, starred review).
Geobiologist Hope Jahren has spent her life studying trees, flowers, seeds, and soil. Her first book is a revelatory treatise on plant life—but it is also so much more. Lab Girl is a book about work, love, and the mountains can be moved when those two things come together. In these pages, Hope takes us back to her Minnesota childhood—hours of unfettered play in her father’s community college laboratory. She tells us how she found a sanctuary in science, learning to perform lab work “with both the heart and the hands.” She recounts her experience as a woman in science, and about the inevitable disappointments, but also the exhilarating triumphs, of her work. And she introduces us to a brilliant, wounded man named Bill, who becomes her lab partner and best friend, and writes about the uncommon bond between them. Urgent, intimate, and exquisitely written, Lab Girl heralds the arrival of a major new talent.
Inspired by the life of a real World War II heroine, this remarkable debut novel reveals the power of unsung women to change history in their quest for love, freedom, and second chances.
New York socialite Caroline Ferriday is busy with her post at the French consulate and a new love on the horizon. But Caroline’s world is forever changed when Hitler’s army invades Poland in September 1939—and then sets its sights on France. An ocean away from Caroline, Kasia Kuzmerick, a Polish teenager, senses her carefree youth disappearing as she is drawn deeper into her role as courier for the underground resistance movement. For the ambitious young German doctor, Herta Oberheuser, an ad for a government medical position seems her ticket out of a desolate life. Once hired, though, she finds herself trapped in a male-dominated realm of Nazi secrets and power.
The lives of these three women collide when the unthinkable happens and Kasia is sent to Ravensbrück, the notorious Nazi concentration camp for women. Their stories cross continents—from New York to Paris, Germany, and Poland—as Caroline and Kasia strive to bring justice to those whom history has forgotten.
Kyung Cho is a young father burdened by a house he can’t afford. His debts have always seemed manageable, but lately they’ve spiraled out of control, and he is worried for his family’s future. A few miles away, his parents, Jin and Mae, live in the town’s most exclusive neighborhood, surrounded by the material comforts that Kyung desires for his wife and son. Growing up, they gave him every possible advantage, but never kindness nor affection. Now, Kyung can hardly bear to see his parents, much less ask them for help. Yet when an act of violence leaves Jin and Mae unable to live on their own, the dynamic suddenly changes, and he feels compelled to take them in. Once more under the same roof, Kyung is forced to question what it means to be a good husband, father, and son, while the life he knew begins to crumble and his own anger demands to be released. As Shelter veers swiftly toward its startling conclusion, Jung Yun leads us through dark and violent territory, where, unexpectedly, the Chos discover hope. Shelter is a masterfully crafted debut novel that asks what it means to provide for one's family and, in answer, delivers a story as riveting as it is profound.
In the summer of 1914, Beatrice Nash, a young woman of good family, arrives in the small town of Rye, England, as the first female candidate to teach Latin in the local school. Over the course of the novel, she and the nephew of her sponsor fall in love. Surrounding them is a vibrant, colorful cast of characters with whom the reader will fall in love, as they did with Major Pettigrew’s Last Stand. As in Jane Austen, social and domestic dramas and subplots abound, until all pales in the shadow of the Great War.